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What place does the term "Latino" hold in American art history? 723 South Brazos St. San Antonio, TX . I never had the good fortune of meeting Mel Casas in person. Compre blusões e casacos para homem na H&M. Melesio "Mel" Casas (November 24, 1929 – November 30, 2014) was a Chicano artist, activist, writer and teacher. This figure is the centerpiece of Casas’s pop-styled painting Humanscape 62. Casas decided it would be his last Humanscape because he had run out of clichés to mock. IMAGE 3: MEL CASAS, HUMANSCAPE 62, 1969. Photo: MEL CASAS / COURTESY PHOTO This painting, which comes from a larger series of works called “Humanscapes,” were actually inspired by Casas’ experience seeing a drive-in movie screen and seeing these huge images of people and things. Eliot Elisofon Photographic Archives, African Art, Assistant Secretary for Communications and External Affairs, Gran exposición explora el arte latino moderno y contemporáneo desde el 25 de octubre en el Museo de Arte Americano del Smithsonian, Smithsonian American Art Museum Exhibition of Modern and Contemporary Latino Art Begins National Tour, Major Exhibition To Explore Modern and Contemporary Latino Art Opens at the Smithsonian American Art Museum Oct. 25, “Nuestra América: la presencia latina en el arte estadounidense” Se inaugura el 25 de octubre en el Museo de Arte Americano del Smithsonian. November 24, 1929 - November 30, 2014Melesio (Mel) Casas, born in El Paso, Texas, on November 24, 1929, passed away at his home in San Antonio on Sunday, November 30, 2014. Movies. IMAGE 2: MEL CASAS, HUMANSCAPE 63, 1969. It will be in the “Pop América” show at the McNay. Available for sale from Ruiz-Healy Art, Mel Casas, Humanscape 95: Bird Watching Art (1978), Acrylic on canvas, 72 × 96 in He used visual statements, his sense of humor and love of puns to "address cultural stereotypes. (182.9 × 243.8 cm) Credit Line Bequest of Robert H. Wilson, Jr. Mel Casas: Human is presented in tandem with Pop América, 1965–1975, in which the artist is also featured; the two exhibitions mark the premiere of the artist’s work at the McNay. Here, he depicts a large plate of yummy brownies as they might appear in a television commercial. E. CARMEN RAMOS: This is Mel Casas’ “Humanscape 62,” which is a painting that he executed in 1970. This exhibition … Such incongruent juxtapositions — which include a tempting plate of brownies, a junior Girl Scout, a Native American in profile, and quotes of masterworks such as an Aztec mosaic — critique the trivialization of Chicano culture by mainstream American advertising and allude to the rich cultures that stereotypes obscure. For example, Kelker demonstrates how Casas’ "Humanscape 16" features four identical young female moviegoers who readily abandon their personal uniqueness and sense of beauty by replicating the look and mannerisms of the bleach blonde, big sunglasses wearing bombshell on the screen. Menu. Casas got the idea for the Humanscape series in 1965, when he drove past a drive-in theater. “Our America: The Latino Presence in American Art:” A Radical Proposal` The first juxtaposition in the lecture by E. Carmen Ramos that introduced “Our America,” an exhibition at the Smithsonian American Art Museum, told the story she wanted to tell: the 1986 painting by Frank Romero of the police shooting of Rubén Salazar in 1970 next to “Washington Crossing the Delaware.” Yolanda M. López. This painting, which comes from a larger series of works called “Humanscapes,” were actually inspired by Casas’ experience seeing a drive-in movie screen and seeing these huge images of people and things. Humanscape 141 72" X 96" 1987. IMAGE 3: MEL CASAS, HUMANSCAPE 62, 1969. Mel Casas, Self: The Chicano Collection. The McNay curators thought so highly of Mel Casas that they added yet another selection of only his work— Mel Casas: Human— which they placed in the downstairs exhibit space. And internationally on the artist ’ s book by the San Antonio of... From 1965 to 1989 this exhibition … Casas decided it would be his last Humanscape because he had run of..., of which he saw larger than life characters the BIG mel casas humanscape 62: Political themes in Art... Father and Son ( Desert Crossing ) 000 18 restaurants, supermarkets, mini golf, go-kart the! Exhibit includes six of Casas ' 150 Humanscape paintings from 1965 to.! From 1965 to 1989 decided it would be his last Humanscape because had. Painted tirelessly throughout the decades large screen image, which recalls old-fashioned televisions Casas Humanscape painting that he in! 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